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Linda Jean Fisher
General Technical Statement Regarding Painting Process
I push paint around a lot because I believe that in order to continue developing the work to the work’s fullest potential I must invest my time in dedicated practice. This work explores my self-directed investigation of quantum physics. How? I see and feel paint and paintings as matter that is not elementary and indivisible. I split both into parts and discover smaller parts in those parts, and so on and so on. Sometimes I push together and intermix my viscous stuff on a substrate with stainless surface knives, my fingers, or worn down paintbrushes. The hue families that could possibly form are never-ending. Other times I split a painting into parts like a physicist splits the atom into parts. The number of paintings could be never-ending like the levels of matter could be never-ending. It is possible that there are no “bottom line” paintings like it is possible that there are no “bottom line” particles. The notion of a “bottomless pit” used to scare me. I didn’t want to stumble into one and fall forever and ever. But now I am different and the thought of things or places with no bottom makes me giddy.About |
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